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    ANTICHITA' SANTORO Oil On Canvas And Oil On Panel

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    In-depth sheet. Attributed to Giovanni Stradano, nickname of Jan Van der Straet, Bruges 1523-Florence 1605. He worked in Venice. In Florence, where he collaborated with Vasari in the decoration of the studiolo of Francesco I. In Reggio Emilia, where he worked for Pope Paul V. In Rome. In Naples. In Constantine's famous room in the Vatican, the great battle between him and Maxentius, which took place in 313 AD, performed to raphael.C's design by his pupils, was one of the fundamental models to be inspired by many painters of passing battles in Rome. Also in our case, in this painting, the artist was very much aware of this example. The Battle of Milvio Bridge marked a fundamental moment in Christianity, since, according to tradition, Constantine saw the cross appear to him. His victory was that of Christianity against paganism; and with the edict of Milan, in the same year, he recognized the Christian religion as an officer of the Empire. There is no cross in our picture, which could indicate a totally secular client; Moreover, the contrast between the two sides so clearly divided is quite different from the Refinaelles plant. The author also wants it to be clear what battle it is, placing in the center on the background Rome and on the banner on the right the inscription S.P.Q.R. This, together with the type of table used, oak planks of small thickness, makes this work assign to a Nordic field, although our painter was as mentioned certainly been in Rome. Excellent chiroscural yield enhanced by the contrast of primary colors that make the sense of movement effective.



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    • Country : ITALY

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