We use cookies on our website. By continuing to browse our website, you agree to our use of cookies. For more information on how we use cookies and how to manage your preferences go to About cookies


The online exhibition of international decoration, design and habitat

Find the exhibitors of the decoration fairs


Request the documentation Sharing my wishlist via email

Robert C. NOORTMAN - Oil on canvas and oil on panel-Robert C. NOORTMAN

  • Pinterest
  • Twitter
  • Google+
  • Mail
  • wishlistAdd to my wishlist

Oil On Canvas And Oil On Panel

Ask a question

EDWAERT COLLIER (Breda circa 1640 - London 1708)

Still Life with Jug
Oil on panel: 44 x 34 cm/ 17 1/4 x 13 3/8 inches

Signed and dated lower centre: 'E. Kollier Anº1664'

On the corner of a stone table drinking and smoking utensils are combined in an almost emblematic arrangement. A broken brazier is half filled with burning coals. A small metal tobacco box is leaning on a so-called ?Goudse pijp?. A huge glass partly filled with beer and a jug decorated with the coat of arms of Amsterdam lend monumentality to this still life.

Collier preferred depicting worn objects. Within his oeuvre of still life paintings, the brevity of human life is unquestionably the main theme. He is especially known for elaborate still life compositions exclusively consisting of vanitas motifs. A less known but maybe far more appealing part of his production are the small painterly compositions like the present, in which the moral message is implicit. Our painting is one of Collier?s earliest dated works and sits firmly in the tradition of Haarlem monochrome still life painting. Collier produced a few highly comparable pictures of this type. One version is preserved in the John G. Johnson Collection in Philadelphia. Another painting shows the table projecting into the space from the right. Finally, Collier almost literally repeated the composition of our painting in a work signed and dated 1679. Interestingly, a 1665 dated tobacco piece by the Amsterdam still life painter Jan Fris is particularly close to our ?toebackje?. The present painting shows Collier as a master with a great feeling for the picturesque.

Simon Collection, Netherlands
Sale, Amsterdam (Muller), 25 October 1927, no. 16
With M. Wolff Gallery, Amsterdam 1938
Samuel Friedenberg, New York
Sale, New York (Parke-Bernet Galleries), 23 April 1958
Private collection, U. S. A.
With Noortman, Maastricht & London, 1994
Alfred & Isabel Bader, Milwaukee, -2000

N. R. A. Vroom, Schilders van het Monochrome Banketje, Amsterdam 1945, p. 204, no. 98 (with incorrect measurements), illustrated p. 172, fig. 156
N. R. A. Vroom, A Modest Message as intimated by the painters of the ?Monochrome Banketje?, 3 vols., Schiedam & Nuremberg 1980-99, vol. 2, no. 190, p. 43, ill.
The Detective?s Eeye: Investigating the Old Masters, exh. cat. (Milwaukee Art Museum) 1989, no. 50, pp. 111,112, ill.
A. van der Willigen & F. G. Meijer, A Dictionary of Dutch and Flemish S

Product description Product description
  • Origin : NETHERLANDS
  • Designer : EDWAERT COLLIER

Other products Oil on canvas and oil on panel ROBERT C. NOORTMAN

You may also like